Blue Flutist Statue by Hieronymus Bosch

Blue Flutist Sculpture by Hieronymus Bosch. This sculpture adaptation replica, Blue Flutist, from Bosch's Last Judgement appears on the left hand side on the middle panel of the triptych. He is a cheerful blue creature which adds lustre with his music to the horrifying spectacle. He symbolises the lawlessness, ending in many not being admitted to heaven on Judgement Day. It is an astounding creation in 3D of Bosch's 2D figure from the Northern Renaissance.

ABOUT THE ARTWORK:
THE LAST JUDGEMENT Hieronymus Bosch warns us against the consequences of a life of sin. The downfall of the rebellious angels on the left panel heralds the beginning of the end. Further, one sees the chosen few in heaven, with below them the vast remainder who will have to undergo the most horrendous tortures on Judgment Day. Saint Jacob of Compostella and the Holy Bavo adorn the closed panels.

ABOUT THE ART PERIOD:
From an artistic point of view, the world famous brilliant forerunner of surrealism was, in his day, unique and radically different. Hieronymus (Jeroen for short) Bosch was born (ca. 1450-1516) during the transition from the Middle Ages to the Renaissance in 's-Hertogenbosch, in the Duchy of Brabant. Bosch places visionary images in a hostile world full of mysticism, with the conviction that the human being, due to its own stupidity and sinfulness has become prey to the devil himself. He holds a mirror to the world with his cerebral irony and magical symbolism, sparing no one. He aims his mocking arrows equally well at the hypocrisy of the clergy as the extravagance of the nobility and the immorality of the people. Hieronymus Bosch's style arises from the tradition of the book illuminations (manuscript illustrations from the Middle Ages). The caricatural representation of evil tones down its terrifying implications, but also serves as a defiant warning with a theological basis.

These fantastic and biblical sculptures from Renaissance master Hieronymus Bosch are amazing statue adaptations from historic paintings. They have a hellish and demonic surrealism to them that feels apocalyptic.

These meticulously reproduced collectible art works are part of the 3D Mouseion Sculpture Collection made by Parastone, a renown European collectible manufacturer. They have a recognized name brand to the European audience and deserve our attention here in the USA.

• Size: 2 in x 3 in x 4 in
• Weight: 0.4 lbs
• Material: Resin with Hand Painted Color Details
• Made In: China

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Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.