Amarna Egyptian Princess Head Statue

This Amarna Egyptian Princess Head statue is part of the Parastone 3D Mouseion Museum Collection of replicas. The head is made from resin with a skin tone to emulate red quartzite stone. Base is made from black wood. Portrait of an Egyptian Amarna princess, 19th Dynasty, circa 1340 BC Pharaoh Amenhotep IV ruled the New Kingdom from 1353 to 1336 BC. He soon rename himself Akhenaten and founded a new capital Akhetaten (the current El Amarna) where he ceased to be polytheistic and started to solely worship Aten, the solar disk. In art history, Akhenaten is important because he had the first, life-like, naturalistic portraits make at the workshop led by the master sculptor Thutmose. Until that time, only static, idealizing portraiture had existed. Many unfinished statues were found during the excavation of Thutmose's workshop in 1912, including three wonderful portraits of Akhenaten's daughters and his wife Nefertiti. The hollows where the eyebrows should be were to be inlaid with semi-precious stones. The remarkably long skulls could indicate a hereditary physical deformity, but could also have been caused by the binding of the infants' skulls. However, it could also perhaps be an artistic exaggeration of contemporary beauty ideals.

• Size: 4.5"W x 6.5"D x 10.3"H
• Weight: 6 lbs
• Material: Resin and Wood
• Made In: China

---

Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.