Madonna of Bruges with Baby Jesus Statue by Michelangelo

Madonna of Bruges with Baby Jesus Statue by Michelangelo. Madonna of Bruges by Michelangelo (1501-1504):
The Madonna of Bruges is the only sculpture by Michelangelo to leave Italy during his lifetime. It was purchased in 1506 by a rich textiles merchant from Bruges and later bequeathed to that city. It had originally been intended for the Cathedral of Siena. However due to conflict with the principal, Francesco Picollonini (later to become Pope Pius III), the sculpture was never delivered.

The depiction of the overly familiar theme of Madonna with the baby Jesus is characterized by Mary's introverted expression. Her face is remarkably similar to that of the Mary in The Pieta which was sculpted five years earlier. The assumption is therefore that Michelangelo used the same life model. The movement of the child, with its hair sculpted away from the body of the statue and Mary's robe herald the transition to the Baroque period which emphasized dynamism and expression.

This reproduction of the Madonna of Bruges with Baby Jesus Statue is part of the Parastone Museum Collection. This statue is made from resin with white & subtle grey veins to evoke marble. Description card included.

• Size: 9"H x 4.25"W x 3.5"D
• Weight: 3 lbs
• Material: Resin with Subtle Gray Veins
• Made In: China

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Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.