Vexed Man Caricature Study Pocket Art Statue by Messerschmidt

Franz Xaver Messerschmidt (German, after 1770). The Vexed Man is one of a series of portrait busts or "Character Heads" made by Franz Xaver Messerschmidt, an eighteen-century German sculptor active in Austria. This bust portrays a middle-aged man with a sour expression, which seems to fall somewhere between a grimace and a scowl. The most telling aspect may be the furrowed brow above squinting eyes and a scrunched nose. But natural cracks in the bust's alabaster surface seem to echo the topography of his skin, both softened by age yet hardened by the extreme expression. The man's receding hairline, wrinkles, and sagging jaw line contrast with tensed cheek and neck muscles. Although the character seems to express irritation and annoyance, it is not certain whether Messerschmidt intended that interpretation, because he did not give the bust a title. This bust and the series "The Heads" that it belongs to reflect the intellectual concerns of artists and scholars during the Enlightenment era, when a surge of interest in the sciences occurred. Studies in physiognomy were highly popular at the time. Perhaps as influential was Messerschmidt's undiagnosed mental condition, which could have been schizophrenia. A contemporary wrote that Messerschmidt told him that by making the character heads, he hoped to ward away spirits that invaded his mind.

• Size: 2.5"W x 2"D x 3 3/4"H
• Weight: 1 lb
• Material: Resin
• Made In: China

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Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.